It was really wonderful experience - I was honored to take a part in Vor Ort - an exhibition and a workshop project organized and hosted by Landesmuseum Mainz and Jenny Adam in association with Urban Sketchers, Teaching and exhibiting with such a great group of sketchers and friends: Lapin Barcelona, Sebastian Koch, Johanna Krimmel, Inma Serrano, and Felix Scheinberger.
Now, when I'm back home, left with my sketches and memories, which remind me this fabulous weekend - perfect combination of exhibition, workshops and, the most fun - a lot of great interactions between us, sketchers, coming from different backgrounds, different countries, but having so much in common! ♥
Here you can see some photos from my workshop "Face to Face" - all the participants did just great, practicing portraits in not traditional approach, trying to get real likeness, connecting to the emotional side, seeing personality in each character and, finally, finding and telling stories with the portrait!!! it was so fun!
Now, I'm warmed up very well for Porto USk Symposium - see you there!!!!!
Showing posts with label workshop. Show all posts
Showing posts with label workshop. Show all posts
Sunday, July 15, 2018
Thursday, April 12, 2018
Face to Face! Urban Portraits That Tell Stories
I'm happy and excited to invite you to my workshop, which will focus on what I love the most - sketching people, and particularly - in portraits and how tell the story through a human face.
Date:
April 27, 2018
April 27, 2018
10:00 AM -
1:30 PM
Workshop location:
Tel Aviv, Israel.
(exact location TBA)
Space is limited: contact ultramarin71[at]gmail.com
to make a reservation and arrange payment.
Maximum number of participants: 15
Skill level: Suitable for all
ability levels.
"Faces
are the most interesting things we see; other people fascinate me, and the most
interesting aspect of other people - the point where we go inside them - is in
the face. It tells all." - David Hockney
For me there is no more
interesting subject than sketching people, and of course the most fascinating
part is - their faces. When I can't pull out my sketchbook, I catch myself
sketching with my eyes - watching the celebration of the human faces that
constant surrounds us - men and women, adults and children, faces in all shapes
and colors - talking, laughing, crying, telling us about themselves in all
sorts of ways.
In this workshop we'll
practice drawing portraits, but not in a traditional academic approach.
By doing series of fun
and freeing up exercises we will learn:
·
to overcome the fear of drawing faces
·
to free up from automatic approaches and selections
·
to discover what is the essence of
"likeness" in portraiture - how to get the real, profound likeness,
and not only the external one
·
not to mechanically copy reality , but to observe the essentials from
the artistic point of view, and to sacrifice the secondary
·
to adopt new approaches and understandings
·
to connect to the emotional side of drawing
·
to strengthen hand-eye coordination
·
to improve the ability of observation
·
to enjoy the process without thinking about the result
·
to see personality and story in each character
·
to tell the story with the portrait
Schedule
Meet and
greet - 15 minutes
Exercises, 3
sessions - 30 minutes - 1 hour duration
each
Final
conclusion - sharing our work and insights - 15 minutes
1. Warming-up duels
Participants will divide
into pairs and draw each other in three different exercises:
1.
Eye-hand connection
·
Blind contour - draw without looking at the paper.
·
From memory - draw without looking at the model
2.
Exaggeration (caricature)
·
Strengthen essentials and exaggerate
3.
Capture emotions
·
Simultaneous sketching - look at each other expressing
certain emotions.
Finally, we will share
the portraits and discuss what each exercise contributes.
After the warm-up, we
will sketch fast portraits of people passing by on location.
We'll give a title to
each portrait. The title can show what we think about the character or what
she/he looks like.
We'll try to apply what
we've learned in the previous exercises and pay attention to hand-eye
coordination, capture the expressions of emotions and strengthen the essential
and what is authentic in each character we sketch.
At the end of the
section, participants will display as many portraits as they made in various
approaches and will share their feelings during exercise.
We'll tell visual
stories based on a portrait of a stranger from observation.
The sketch can include
the full figure drawing, but the focus should be on his/her face.
Besides creating an
external likeness, we will try to transfer the character's personality and our
relation to it. We'll build our subjective story.
At the end of the
session participants will introduce their stories and share experiences.
Supply list:
·
A
small sketchbook (~A5 size) from chip paper and pages you can tear out
or
·
A
package of chip A5 or A4 sheets and a clipboard.
·
Tools
you like for line drawing: pencil, pen, etc...
·
Tools
you like for shape drawing: wide marker, paint brush, pastels, etc...
·
Bigger
sketchbook of quality paper for the last exercise.
·
Your
favorite tools for the last exercise.
·
Courage
and good mood :)
Workshop cost
30,00€ (120 NIS)
Registration
Thursday, September 1, 2016
Notes from the USk Symposium Manchester 2016
It was a very hot and busy month! Only now I finally starting to put together my impressions and thoughts and finishing to scan my sketches from the Manchester Symposium's trip.
So, after the long period of preparations, planning and expectations it is over!
Manchester was for me the forth time I participated in the USk Symposium, third time as an instructor. No doubt, it felt like an annual reunion, and of course it was different experience - in different place, different time and many new people.
Being Symposium instructor is a big responsibility - people are coming from all over the world to learn and to get an unique experience, with a lot of expectations and some fears. You never know who is coming to your workshop, the level and the background of the participants is different, the outside conditions are unpredictable, and so is the general energy and the atmosphere of the each workshop.
This year my workshop was different from my usual people-sketching program. It's true, that people is my favorite subject, but his time I wanted to try to understand the whole process. How it works? What differentiates between the exciting and communicative work and the boring one? What attracts us to a particular subject? How we make decisions? How to create works with impact and meaning? Being by myself very spontaneous and expressive sketcher, I tried to freeze every step in my process and to force myself to analyze my decisions, which wasn't easy at all. Finally, I got to my last workshop, named "What and How" and dealing with two one-million-dollar questions: what do I want to say and how can I best say it?
The process of drawing even the tiniest sketch involves making countless decisions - it's impossible to touch all the steps, so I was needed to choose the most essential. Our first exercise was dealing with "what" - idea, message, feeling. By getting the same list of subjects and trying to find them around, the participants learned to observe their surroundings differently, and maybe to understand that there are no boring spots – it is all about the point of view.
Following exercises tried to touch at different "hows" - composition rules and the tools choice.
In the last and longest exercise we tried to apply what we learned in the previous exercises, but didn't forget to improvise, to be spontaneous and to enjoy the process!
So, after the long period of preparations, planning and expectations it is over!
Manchester was for me the forth time I participated in the USk Symposium, third time as an instructor. No doubt, it felt like an annual reunion, and of course it was different experience - in different place, different time and many new people.
Being Symposium instructor is a big responsibility - people are coming from all over the world to learn and to get an unique experience, with a lot of expectations and some fears. You never know who is coming to your workshop, the level and the background of the participants is different, the outside conditions are unpredictable, and so is the general energy and the atmosphere of the each workshop.
This year my workshop was different from my usual people-sketching program. It's true, that people is my favorite subject, but his time I wanted to try to understand the whole process. How it works? What differentiates between the exciting and communicative work and the boring one? What attracts us to a particular subject? How we make decisions? How to create works with impact and meaning? Being by myself very spontaneous and expressive sketcher, I tried to freeze every step in my process and to force myself to analyze my decisions, which wasn't easy at all. Finally, I got to my last workshop, named "What and How" and dealing with two one-million-dollar questions: what do I want to say and how can I best say it?
The process of drawing even the tiniest sketch involves making countless decisions - it's impossible to touch all the steps, so I was needed to choose the most essential. Our first exercise was dealing with "what" - idea, message, feeling. By getting the same list of subjects and trying to find them around, the participants learned to observe their surroundings differently, and maybe to understand that there are no boring spots – it is all about the point of view.
Following exercises tried to touch at different "hows" - composition rules and the tools choice.
![]() |
| choosing the format |
![]() |
| trying static and dynamic compositions |
![]() |
| limiting the use of tools |
![]() |
| all we have is lines and shapes |
After all, the secret is probably in keeping balance between the considering the rules and breaking them in order to be spontaneous, and to leave room for chance and "mistakes", because that's the beauty of sketching from observation!
You can download my workshop's flyer here.
I'll be happy to hear from you - please tell me about your experience!
Wednesday, September 16, 2015
Singapore USk Symposium - part 3 - A Collective Reportage
I owe to myself one last post about Singapore USk Symposium. Unfortunately, I din't have a time to take many workshops, because all my mornings I was busy by teaching. The only one that I managed to take, was Simo Capecchi's "A Collective Reportage" workshop. I'm interested a lot in reportage and storytelling aspect of urban sketching, and it was a long time I wanted to take Simo's workshop, one of the specialists of reportage drawing.
It was very interesting to hear Simo's introduction, in which she told about different approaches to the reportage drawing and showed a lot of examples - her own sketches and also other artist's works. Then our mission was defined and we went to make our reportage about the Chinese Temple at Waterloo Street.
I had with me my self-made accordion sketchbook, which construction dictated me the character of my reportage - repetitive compositions, with minimal texts, capturing all kind of people - vendors, temple servers, security guards, and, of course, the prayers.
It was a great experience, the small conclusions and comprehensions will continue to drop-down in my mind all the time, while I'm sketching.
I miss Singapore and its terrific atmosphere, but all this great experience will continue to echo inside me!
It was very interesting to hear Simo's introduction, in which she told about different approaches to the reportage drawing and showed a lot of examples - her own sketches and also other artist's works. Then our mission was defined and we went to make our reportage about the Chinese Temple at Waterloo Street.
I had with me my self-made accordion sketchbook, which construction dictated me the character of my reportage - repetitive compositions, with minimal texts, capturing all kind of people - vendors, temple servers, security guards, and, of course, the prayers.
It was a great experience, the small conclusions and comprehensions will continue to drop-down in my mind all the time, while I'm sketching.
I miss Singapore and its terrific atmosphere, but all this great experience will continue to echo inside me!
Sunday, August 30, 2015
Singapore USk Symposium - part 2
I'm continuing my first post about the amazing experience of Singapore USk Symposium. Teaching our workshop "Face the City!" together with my friend from Denmark Ea Ejersbo was, of course, the main reason for coming there. Ea spent the last winter in Israel, near me, and then born our idea of leading a workshop together again. As our mutual favorite sketching subject is people, the starting point was easy to choose. We even did a rehearsal of our workshop in Jaffa for the local Urban Sketchers group. But, of course, doing it in Singapore, for the international audience, as part of the USk symposium, was a different experience!
Certainly, it's impossible to learn sketching people in three and a half hours, and even in there and a half days. Nothing can't exchange her majesty practice, but still, it's possible to transfer our approach to sketching people, and even maybe to the urban sketching in general. I don't fancy perfect step-by-step recipes of a perfect sketch. For me the way is not less important than the result. Lets's say, the way is what really matters, the final sketch is a nice by-product result. In our workshop the main emphasis was on trying to look better, observing, searching for the stories to tell. First of - what you want to tell, and only after - how. To make it easier, we broke our workshop into three exercises. In first one, called "Capture Emotions", we asked the participants to look around for people with recognizable facial expressions and try to capture them.
In second one, "Capture Action" - to pay attention to the body language, which can tell us a lot without words.
In the final exercise we asked to put our "heroes" in their surrounding and tell us a story, using our ability to capture emotions and feeling through facial expressions and body language.
The results were really wonderful, but most important, we saw the participants overcoming invisible barrier, making step out of their safe zone and really enjoying the process!
I enjoyed it very much! Here are some sketches done on the workshop's spot, checking it before and while doing the demonstration.
I'm grateful for the opportunity of being a part of so great team of Symposium's instructors, also because teaching is the best way to learn!
Here is the link where you can download our workshops' flyer.
Certainly, it's impossible to learn sketching people in three and a half hours, and even in there and a half days. Nothing can't exchange her majesty practice, but still, it's possible to transfer our approach to sketching people, and even maybe to the urban sketching in general. I don't fancy perfect step-by-step recipes of a perfect sketch. For me the way is not less important than the result. Lets's say, the way is what really matters, the final sketch is a nice by-product result. In our workshop the main emphasis was on trying to look better, observing, searching for the stories to tell. First of - what you want to tell, and only after - how. To make it easier, we broke our workshop into three exercises. In first one, called "Capture Emotions", we asked the participants to look around for people with recognizable facial expressions and try to capture them.
In second one, "Capture Action" - to pay attention to the body language, which can tell us a lot without words.
In the final exercise we asked to put our "heroes" in their surrounding and tell us a story, using our ability to capture emotions and feeling through facial expressions and body language.
The results were really wonderful, but most important, we saw the participants overcoming invisible barrier, making step out of their safe zone and really enjoying the process!
I enjoyed it very much! Here are some sketches done on the workshop's spot, checking it before and while doing the demonstration.
I'm grateful for the opportunity of being a part of so great team of Symposium's instructors, also because teaching is the best way to learn!
Here is the link where you can download our workshops' flyer.
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